Twenty Years of Research
The technology behind Europasinfonie is not experimental in the risky sense of that word. It is experimental in the scientific sense — the product of over two decades of rigorous research into what is known as Network Music Performance, or telematic music.
Professor Alexander Carôt of Hochschule Anhalt has spent more than twenty years investigating this question: under what conditions can musicians separated by distance play together as one? His research, alongside independent studies from Stanford University’s Center for Computer Research in Music and Acoustics (CCRMA), has produced a clear scientific answer.
At a round-trip signal latency of 25 to 30 milliseconds or below, musicians experience the connection as though they were sharing a room. This is not an arbitrary threshold. It corresponds to the natural acoustic delay musicians do experience sitting across a large concert hall — a delay the human ear interprets not as a technical error, but as space.
Prof. Carôt’s software has been developed and refined through this research. It is the audio engine at the heart of Europasinfonie.
The Proof of Concept
Europasinfonie is not a theoretical concept. Already in 2023, the Dresdner Sinfoniker — with the support of the Allianz Foundation — conducted a proof-of-concept test with musicians from multiple European countries playing together across distance in real time.
The result: it works. The video below documents this milestone.